Archive for the ‘Music’ Category

I used to be a Hero – Finale: The Decision

Tuesday, December 29th, 2009

I thought it was about time to wrap this up. I didn’t wanna fall into my usual trap of leaving things unfinished, so here goes…

Gaz and I had been playing Rock Band for quite some time when Activision announced the impending Guitar Hero: World Tour. Rock Band had set the new standard with the full compliment of instruments and it was pretty obvious Activision weren’t gonna take that lying down. So what do all big companies do when faced with a good competitor? They copy them of course.

Now this in itself is an understandable gesture. Harmonix once again showed them a gap in the market, as they’re unable to spot em themselves and they made a competitor. Competition is a healthy thing in this environment as it only inspires people like Harmonix to do something better. And they did, Rock Band 2. Harmonix had obviously gotten wind of Activision’s plot (if you can call it that) and used the time to make a beefed up, polished off , leaner, meaner competitor. The stage was set.

Guitar Hero: World Tour versus Rock Band 2

GH:WT came out before RB2 (them’s your abbreviations) and Gaz and I were umming and arring on whether or not to buy it. For a long time it wasn’t immediately clear whether the GH:WT instruments would be backwards compatible and the RB ones would be forwards compatible. We didn’t wanna shell out more cash (and it was quite a lot) for a set of new bits and bobs that wouldn’t work with all the other games. In a move of frankly mind boggling sensibility, a governing body whose name I have forgotten ruled that Activision and EA should play nice and make their peripherals cross compatible. Hurrah! This enabled us to gauge our options safe in the knowledge that whatever we used would work on everything else.

As good as RB1 was, the drums were very loud and my GH3 guitar was really quite small. Gaz and I were a bit flush at the time and decided to upgrade our weapons to the latest and greatest. This decision lead us to the full version of GH:WT with new drums, guitar and microphone. In spite of whatever I might think about GH:WT now, I will still stick by these controllers as they are fantastic. The guitar was solid and reliable, so much so that I still use it now. The drums were a lot quieter and a lot bulkier which is quite handy when you’re bashing the shit out of them on a regular basis.

So with the arrival of GH:WT we stopped playing RB1 for a bit. Mainly because the instruments were great and we’d played RB1 to death and back. The new songs in GH:WT were a breath of fresh air with a couple of inspired choices among a large contingent of indifference. We’d been playing it for a while and something just wasn’t right. The nature of the problem became clear when RB2 came out.

RB2 isn’t really RB2. It’s more like RB1.5. A toned, polished version of Rock Band designed to bring that little bit more to the table in the face of competition. It worked. To be playing Rock Band again was a joy. It was when playing Rock Band 2 that we saw just how far GH:WT missed the point. It highlighted the fundamental difference in the core purpose of the respective games. RB (1 and 2) were designed to be multiplayer first and catered for single player whereas GH:WT is the complete opposite.

Everything about Rock Band was designed be as inclusive as possible. When playing a song in Rock Band, band members have the ability to help other members through a song. Pulling everyone together, fostering a group experience, helping you to feel like a band. Overdrive was implemented in a group fashion as well. Sections of the song had synchronous overdrive sections where everyone would get more overdrive if you all completed a section perfectly together. When overdrive was used, it counted towards a band multiplier, again encouraging group play. You were a band.

GH:WT had none of that. If one person failed, you all failed. You had one joined Star power (overdrive) pool allowing people to be greedy. There was no co-operation. You were almost fighting against each other in what was supposed to be a co-operative experience. It completely missed the point. You weren’t a band, you were group of people forced to play together. Some people may suggest thats what most real bands are like, but it certainly wasn’t Activision’s intention when it was made. It showed they didn’t get it at all. It was a one player game.

The lack of true core differences between RB1 and RB2 made lead you to question what the point of RB2 was. But aside from the polishing and tweaking there was another thing Harmonix did which showed the difference in the ethos of the two franchises. They allowed you import the songs from RB1 into RB2. This immediately doubled the track list and showed a desire for you to enjoy it. They knew they weren’t making a completely new game, so they gave you enough to make it worth it.

When you take it out of the game mechanic itself, RB2 was still eons better. The tour mode from RB1 was improved with different gigs in different locations. Giving you sense of moving forward as a band, again breeding a feeling of co-operation, a proper multiplayer experience. GH:WT just had a list of songs and said, go on, play that and fuck off.

Rock Band 2 won this battle by a country mile. I still play it today as it was designed from the ground up to be a enjoyable group experience. GH:WT is a single player game with the trappings of a multiplayer game.

The Decision

This brings us pretty much up to the present and due to comparatively recent events I have come to a fork in the road. New versions of these games have come out since then and I’m fairly sure GH5 has addressed some of the problems I have highlighted above. I say fairly sure because I haven’t played it. After GH:WT I wasn’t that interested. The track list was forgettable and I wasn’t convinced they’d ever get it.

My apprehension was vindicated when news hit of a flurry complaints directed at GH5. Guitar Hero (since version 3) has placed an disproportionate amount of value in their rock star cameos and GH5 was no exception. During development they had secured the rights to include the late Kurt Cobain as a playable character in GH5. When the game launched it became apparent that you could use Kurt on any song on any instrument, effectively trampling over his memory. I thought this was a shame but no more than that. I didn’t expect any better from them thats for sure.

I thought this was isolated slip up until Activision released their new game Band Hero. A game designed to appeal to a broader spectrum of people with more poppy songs, fair enough, whatever. I wasn’t fussed until I saw they’d done it again, this time with the band No Doubt. Again I’m not overly fussed about No Doubt but it was the nature of Activision’s statement on the subject that hit me, I quote:

“Some of the world’s most popular and iconic artists have been featured in Guitar Hero as playable characters, and we are proud to count No Doubt among them. Activision has a written agreement to use No Doubt in Band Hero – an agreement signed by No Doubt after extensive negotiations with its representatives, who collectively have decades of experience in the entertainment industry. Pursuant to that agreement, Activision worked with No Doubt and the band’s management in developing Band Hero. As a result, Activision believes it is within its legal rights with respect to the use and portrayal of the band members in the game and that this lawsuit is without merit. Activision is exploring its own legal options with respect to No Doubt’s obligations under the agreement.”

This is a formally worded middle finger to anyone who values music beyond the almighty dollar. We’re doing what we want. Fuck you. I had intended to show a video illustrating this but Activision’s intervention has gone further to prove my point. A while ago I found a video clip of Band Hero showing Cobain and Johnny Cash (another legend fucked) being depicted singing YMCA. It truly shows how little Activision care about music. The fact they’ve had it pulled shows they care even less than that.

You may think I’m naive for thinking they should care. This is a valid point but I don’t expect them to care. I don’t expect anything from them, they’re twats. I only highlight this because I’ve seen how good it can be when they do care.

Harmonix had been working for some time on Beatles: Rock Band (BRB). I wasn’t a massive fan of the Beatles at the time but for a long time I’d meant to have a proper look at what they were like. I was stunned. BRB is something of true beauty.  Everything about it was made with a true understanding of the music. Building on the solid foundation of Rock Band and placed into the magical world of the Beatles, a world I didn’t know before I played it. Here is the best example I can find, funnily enough not removed from the web. Maybe they’re proud of it.

This video was embedded using the YouTuber plugin by Roy Tanck. Adobe Flash Player is required to view the video.

Look at it. The use of colour, the gorgeous animation, the song itself. It’s an unbridled joy, a triumph. This is better than anything in any Guitar Hero game and it will stay with me forever. It’s probably the most beautiful thing I’ve ever seen in a video game, it shows what games are truly capable of.

Beatles Rock Band is a game made with real warmth, charm and respect. Made with love. Harmonix should be applauded for making something like this and it leads me to the decision and the grand point of the last 3 blogs on this subject.

I am never buying another {insert name here} Hero game again.

I rarely make vitriolic statements like this but on this one I feel I should. This whole thing has showed me what can be achieved if we invest ourselves into what we make. Marvelous things can happen. If Harmonix can be bothered to respect the people they portray in their games, then I can be bothered to buy their games. Equally if Guitar Hero and it’s ilk can’t be bothered to respect those they portray, then why should I buy their games. It doesn’t take much and they don’t even want to do that for no other reason I can see than to not concede they made a mistake.

I might be wrong but Harmonix seem to make their music games with a heartfelt appreciation of their subject matter, Activision couldn’t give two shits, so fuck them.

I do wonder if I’ll extend this to anything released by Activision. Dolly steps I guess, I’ll be a fully principled human being one day.

It’s a rockin kinda christmas!

Sunday, December 20th, 2009

The UK chart Xmas number 1 has never meant a great deal to me. When I was a child I kinda watched it because I was incapable of any grand sense of analytical thought. But as soon as I started my adventure to find my music I gave up on the charts all together. Until this year….

We all know the story by now so I can’t be bothered to rehash it too much. The talent show X Factor has had the Xmas Chart all sewn up for 4 years now. It’s quite a boring state of affairs but I can have no great objection to it as as I said I haven’t taken any great interest in the music charts in general for some time now. There are people who do take an interest and were fed up with the status quo of X Factors uniform domination and started a campaign to get a different song to number 1 this year. The song was Killing in the Name by Rage Against the Machine (a personal fave, I’ve done the Macarena to it) and by gum they did it!

People have reacted to this in different ways as the obviously would. Some have loved it, some have hated it, some have placed unrealistic meaning upon it and others have pointed this out in typically lofty fashion. I’ve tried to take a broad view of it as I find myself easily lead by bandwagons.

The first point for me is this whole thing has been gloriously daft. If you subtract any weight of meaning, far reaching consequence and social commentary. Killing in the Name as Xmas #1 is a funny concept to me. The best quote I’ve seen on the subject was on twitter (obviously) where @mattleys (a guy who is certainly worth a follow) said:

” It’s a wonderful piece of Great British Mischief.”

The Xmas #1 has meant nothing for years and even when it meant something it still meant nothing. So to have a song that is so far from removed from Xmas as Xmas #1 is a funny concept. Simple, but funny.

That said, after the initial laugh about the farcical nature of this situation you have to address the song choice. I’ve thought about it quite a lot and the KITN is the one of the few songs that could work, it inspires so much in so many.  There were people like me who wanted it to happen for the laughs and others who attributed all kinds of grand ideas of fucking Simon Cowell which were clearly naive and misguided. The original nature of the song was intended to inspire such rebellion in people and said people have been seemingly conscripted into a campaign they have imbued with meaning that isn’t there. The aim of this campaign was always to have fun and shake it up a bit and by christ it worked.

It’s a shame because in an ideal world a song with a bit more Xmas cheer or even just heartwarming intent would be the vehicle for this marvel. However, Jon & Tracy could never have known this would happen. Tracy said to Sky News that they had to fight fire with fire and if you think about it, it wouldn’t have worked without something like KITN.

If I had my way and a time machine I would have suggested this

This video was embedded using the YouTuber plugin by Roy Tanck. Adobe Flash Player is required to view the video.

It was announced as an Xmas single about a week after #ratm4xmas took off and it would have been perfect. Happy, joyous and different. But them’s the breaks.

This leads me to the grandest point of all. Something that hit me recently and has highlighted that love or hate it, this whole glorious barn dance has been an unbridled success. People have said that no one cared before so why should they care now? That’s kinda the point, this whole thing has made people interested in something they weren’t interested in before. People have got involved and done stuff, it’s a good thing! In a nut shell:

It has shown what can be done if you inspire people

Jon & Tracy god bless em have raised over £60,000 for Shelter because of this. People have said that Shelter would be there without this etc, blah blah blah. This doesn’t matter, none of it does. Not the charts, not the X Factor, not RATM, nothing. Nothing in the face of the bold truth that when you do something that encourages people to act then things can happen.

None of what has happened is of any great consequence. But it has made people excited, interested, furious, snooty about something that before now they had completely taken for granted. What happens next year? Everyone will be trying to compete with the X Factor single and that’s the way it should be. But not just the Xmas #1. Not even music. None of it matters beyond the fact if you give people something to get interested in, something they feel they have a stake in that they wanna see either happen or not happen, they’ll turn up. Can you imagine if we all took a general election this seriously?

It’s an exciting prospect and something that should be taken advantage of for the greater good. It’s all well and good being cynical about it, but this whole thing raised money for homeless people this Xmas. Maybe it’s a small gesture but for fucks sake it’s better than nothing. You can captivate peoples imaginations and steer it towards good causes, it’s a simple idea but a great one in my opinion and that’s why this whole thing has impressed me so much.

I refuse to be cynical about this as I feel it’s these things, with genuine passionate interest, that can make changes for the better. We should all applaud Jon & Tracy as they’ve made something brilliantly stupid happen and some poor homeless bastards will have somewhere warm to stay on Xmas day because of it. If you can’t see the benefit of that then that’s a damn shame.

Fuck you, I did what they told me. Sony got paid and I don’t care. I had a bloody good laugh, I saw what people are capable of no matter how naive or misguided, their hearts were in the right place. Now if we can use this for grander efforts, then we’re cooking on gas.

If you wanna give to Shelter this Xmas, you can do at here -> http://www.justgiving.com/ratm4xmas

#00top5albums – The Candidates 6 to 10

Tuesday, November 24th, 2009

So here we are again. Having done the first 5 candidates it is time to move on to contenders 6 to 10. Not much preamble required so here we go!

#6: Guero – Beck

Now I only found this Beck album comparatively recently. For quite some time I’d been listening to Odelay and Midnite Vultures (woot) and enjoying them quite a lot. When I got Rock Band 2 I was introduced to E-Pro. What a tune. If you check my last.fm list, E-Pro is top overall. So inevitably I checked the album it came from and each song was great.

Listen to it when…
When you want what only Beck can provide

Best Track is…
E-Pro (click to play)

Spotify link

#7: Primitive Plus – Edan

Lav introduced me to Edan a wee while ago now. Primitive Plus is his first album and it’s really quite mental. Edan raps, DJs and produces his own stuff so the whole thing is a single musical vision which is quite a refreshing thing. Listening to it you can tell it is quite pure in that respect.

Listen to it when…
When you want something a bit weird

Best Track is…
Mic Manipulator (click to play)

#8: Music for the Mature B-Boy – DJ Format

I first saw DJ Format supporting Ugly Duckling just before the FA cup in which Saints valiantly lost 1-0 to Arsenal. I had no idea who he was but himself and MC Abdominal (more later) were hands down the greatest support I’ve ever seen. Again I sniffed out the album and holy crap what an album. More…mature I guess than Ugly Duckling and because Format is only a DJ his albums are a showcase for many a great MC many of whom will appear as later candidates. It all started here for me.

Listen to it when…
You want a broad look at current great hip hop

Best Track is…
The Hit Song (click to play)

Spotify link

#9 Mystery Theatre – Aspects

Aspects are a group that I find out about off the back of the album above. Mystery Theatre is their second album and it’s a doozy. It’s a great testament to the potential of British hip hop. Solid, high quality stuff with not a bad song in the bunch.

Listen to it when…
You wanna be reminded that the brits can make some mature high calibre hip hop

Best Track is…
Off The Lip (doesn’t exist online, pro :P)

#10: Fever To Tell – Yeah Yeah Yeahs

For quite a long time I didn’t get the Yeah Yeah Yeahs. I like to think I’ve softened musically recently and have become a bit more receptive to music outside my comfort zone of underground hip hop. Less snobby I guess which is no bad thing. Anyway, eventually I got it. It’s rocking, it’s wild and it’s soulful. It’s such a mish mash of different styles and pace but it just works somehow.

I love this album for many reasons but the main one is the drumming. I don’t usually pick out individual parts of an album but the drumming on this album is just joyous, Maps and Date with the Night in particular.

Listen to it when…
You want everything

Best track is…
Date with the Night (click to play)

Spotify link

Next time on #00top5albums

We head to the murky depths of 11-15!

#00top5albums – The Candidates 1 to 5

Wednesday, November 18th, 2009

A couple of days ago, the floppy fringed chaps at NME voted “Is This It” by the Strokes as the album of decade. I think this actually means *their* album of the decade as such a grand award means different things to different people.

I guess if enough people agreed we could compromise and decide on something but I come from the school of Rorschach:

“No. Not even in the face of Armageddon. Never compromise.”

That album is pretty cool but there’s no chance it would make it into my top 20 let alone be #1. Chris had been telling me for a while that he was assembling his albums of 2009. I had considered picking my albums of 2009 but hadn’t given it much more thought than that.

Twitter was rife with discussion about the top album and I didn’t really wade in as I wouldn’t like to pick one. I thought about it and decided I could definately pick 5 with a bit of soul searching.

The hunt was on, I constructed the hashtag #00top5albums to earmark any tweets on the subject. This hashtag was taken on by Julian Gough to do something a bit more grand but I wanted to be selfish and focus on myself (good luck J man!).

I decided to make a shortlist of 20 albums for consideration. There’s a little bit of everything here but I think the prevailing trend is Hip Hop. Here are the first 5 nominations for my #00top5albums (in no particular order, I shall provide links where I can, sorry Yankee doodles x)

#1: Stepfather – People Under The Stairs

In my eyes, these guys can do no wrong, true genuine hip hop. Double K and Thes One are masters of their craft and Stepfather is a pure joy to listen to. As you listen you can tell they’d poured their heart and soul into it.

My favourite track on the album, Pumpin’, was a subject of contention for me for a while as I was convinced the sample was taken from Streets of Rage. Such is the nature of PUTS, I was able ask Thes One about it at a gig and he confirmed it was from a British track.

Listen to it when…
You want to listen to something genuine

Best track is…
Pumpin’ (click to play)

#2: Journey To Anywhere – Ugly Duckling

My intro to Hip Hop. I remember it was like yesterday. I was at a house party and two songs prevailed that night.

The first was the Ice Cube song “You can do it”. Two particularly “classy” girls were playing it over and over again grinding themselves against anything within a 2 metre radius. This is lovely but does tend to grow tiresome after the 10th spin of the record.

The second was the song “A Little Samba”. It was a revelation. Upbeat, fun and funky hip hop. Long story short I picked up a copy of Journey to Anywhere and I fell in love with it. The whole album is there to question Hip Hop cynics. It shows people who take the time to listen that there is more to Hip Hop than “puttin yo back into it”.

Listen to it when…
You need to be reminded that Hip Hop ain’t all guns & bitches

Best track is…
A Little Samba (click to play)

Spotify link

#3: Songs for the Deaf – Queens of the Stone Age

My mum knew about Queens of the Stone Age before I did. My mum is very cool. Mainly because of things like knowing about QOTSA before me. I was watching TV and an advert came on which had No One Knows as its soundtrack. I loved it but didn’t know what it was. It was at this stage my mum walked in and the rest was history.

This album is everything I want from a rock album, pace and energy. Not to be missed.

Listen to it when…
You need rock with clout

Best track is…
No One Knows (click to play)

Spotify link

#4: Quality Control – Jurassic 5

Jurassic 5 are one of the heavyweight groups of the old school Hip Hop movement such as it is. Along with People Under The Stairs they are great in all respects and this is a full blooded reflection of their musical consummation. Quality Control oozes class and guile.

Listen to this when…
You wanna hear music that feels effortless and whole

Best track is…
Jurass Finish First (click to play)

Spotify link

#5: The Mouse & The Mask – DangerDoom

To be honest, this is definately in the #00top5albums already so listing it as a candidate is somewhat of a formality. This album is a collaboration between MF Doom and Dangermouse who came together to make something involving characters from the Adult Swim cartoons.

I’m going to wax lyrical about this album when I announce the full #00top5albums so I’ll leave it for now, safe to say this is definitely a banker.

Listen to this when…
Shake says so.

Best Track is…
Shake’s answer phone messages (listen to the album)

Spotify link

Coming soon…

I shall be doing the #00top5albums 6-10 in the next few days along side some updates to the Toybox section. I’m quite happy with the sheer volume of stuff I wanna write. Just need to find the time!